Of all the
occupations known to man, none operates without a code of conduct that
stipulates the acceptable rules and regulations. This also includes
consequences should these be breached. All, except
one. The doctors have their Medical Practitioners & Dentists Board, the
lawyers – Law Society of Kenya, lecturers – University Academic Staff Union,
hawkers too have something like Nairobi
Petty Traders Association!
Visual Arts,
a career that falls loosely between a job and a divine calling, one full of royalty, and geniuses, and those whose
places are reserved next to the almighty, is governed by… NOTHING!
Before you
cast your first stone… let’s make this clear: I am not advocating for ARTIST CENCORSHIP!
When an
artist abuses his privilege (freedom of
expression) and creates work that is culturally, socially, or religiously offensive,
how is the audience supposed to deal with
it? If in an attempt to create a sensation, the artworks become an insult, how is the intended audience supposed to
react?
It is known
that artists (not only the creators but their groupies who include curators,
dealers, theorists, historians etc) enjoy any publicity. This includes any outrage
as a result of offensive work.
Damaso's controversial painting. |
In July
2010, South African artist Yuill Damaso
reveled in the limelight after making
a painting depicting the autopsy of Nelson Mandela. Abomination! Can the same
artist depict his father, or mother, or girlfriend dead?! Or did he just need
the world’s most popular sage to help his selfish cause? According to Damaso, that was his way of paying tribute to Nelson
Mandela!
Similarly, Danish
artist duo Surrend ( which comprises
Jan Eggesborg & Pia Betelsen) depicted the Danish Royal
family in a pornographic cartoon that even the bluest of blue film industry will
not be able to achieve in the near future.
Surrend's cartoon |
When does
the artist cross the social commentary/entertainment/protest line and blur the
focus turning into a subjective, insulting, sensation seeking wanna-be? Or are
they just hirelings of a third party? Sometimes I think most of these artists
are just victims of handouts for which they will do anything the hand that
giveth asks. Talk of “He who pays the pipe calls the tune.”
Back home,
Kenyans have been marveling at a series of graffiti of what should have been a
subject in school. The interesting thing about it is that it loosely falls in
the guerilla art movement and hits
the Kenyan politician with bare knuckles. It makes for a very successful
artwork without being offensive and it’s probably the artwork that has gotten
the most attention recently (debatable).
Graffiti by Anonymous artists in downtown Nairobi |
Another
artist (who I can’t stop calling a moron)
has used the same instruments (spray paint), the same platform (public wall space)
and the same subject (the Kenyan politician) and expects me (and you) to salute
him at the guerilla parade! This artist has trashed the whole philosophy of
social responsibility by artists and expects Kenyans to forget a good lesson
urging us to vote wisely – by telling us to vote for the same vulture we’re
being warned against! Sadly, it’s not one (bad) painting. Not two… maybe twenty
spread all over Nairobi.
Some of the texts by 'mercenary artists' in Nairobi |
As a
consumer of this horrible art, who do
I complain to? How can I talk to the artist to tell him how I feel about his
(bad) artworks? How do I deal with the visual pollution? Should I go see the
Mayor/Town Clerk? Am I supposed to get him/her through the politician who
commissioned him?
This is just
one (pathetic) artist… or maybe just one (body of) work that is offensive… one
that you cannot describe using one positive word. But as creative people –
artists, curators, writers… how many times have we subjected our audience to
something offensive? Artworks that are irritating.
Since we
don’t want to be censored, maybe it’s up to us not to abuse our office by
engaging in “silly commissions” and
soberly being considerate to our intended audience. As a man I considered not
very wise once said, “There’s a very thin
line between thought-provoking & outright insulting.”
I moved him
from the “not very wise” box to the “somehow wise” one.
No comments:
Post a Comment